This article is draft text for CREATIVE TECHNOLOGY magazine, a UK publication which we can recommend for designers/creatives using Mac/PC tools. We are being cheeky by running the unedited text here, with some additions to make it work in this form. Their UK subscription rate is £24.95 (students £12.50); Europe or overseas surface mail £40; except N & S America, Africa, Asia, £52.00; Australia, New Zealand, Japan, £52. You can fax them on +44 181 943 5639 or e-mail them at [email protected]

Light Source's Colortron

A review by Shirley & David Kilpatrick

Look up 'color consultant' or 'color analyst' in Yellow Pages and you'll find New Age therapists, interior decorators and make-up salons - not a CMYK profile or a CIE 2 degree Observer in sight.

Real color scientists, who make sure that food dyes look best under TL84 (supermarket fluorescents) while paints for exterior decoration come to life in D65 (daylight) have until now hidden away in research labs or quality control departments.

That is about the change thanks to one small, low-cost instrument developed by California imaging software company Light Source Computer Imaging Inc, prototyped a year ago at Seybold San Francisco.

Colortron is a 32-band digital spectrophotometer selling for under $1,000 complete with a comprehensive (click here for a full 21" screen dithered GIF - the only way we can get it to work, sorry, almost 500Kb) Macintosh program suite. The Mac takes over all the calculations - the reading head, resembling Apple's QuickTake camera but smaller, just sends data via the ADB keyboard/mouse cable.

Price barriers

The cost of spectrophotometers, which measure reflected or transmitted color precisely and objectively, has been a barrier to wider use. The bench instruments in most university and corporate labs cost $60-100,000 in the late 1980s, are not portable, call for specimens to be cut up into small squares, and depend on clunky DOS-based PCs for operation, storage of measurements, and calculations.

Portable devices from companies like Gretag and Minolta were introduced in the early 1990s at prices from $6,000 to $25,000 with no loss of accuracy or precision. A hand-held pulsed xenon (flash) spectrophotometer like the Minolta CM-2002 at around $15,000 can take readings from actual surfaces on location - BMW Rover car paintwork is one example - and store, display and calculate vital functions without needing a computer connection.

Lightsource's Colortron uses similar principles. A diffraction grating scans the spectrum across a single calibrated CCD sensor in 32 steps (the grating pivots between each step to place a different exact part of the spectrum over the CCD sensor) to cover visible light from 380nm to 700nm in 10nm steps. Instead of flash illumination, Colortron uses a burst of continuous tungsten light. This gives it a unique feature, dragged average reading; place it on an unevenly colored surface like denim, pull it along, and get a reading which describes the overall look of the color. The software also auto-averages unlimited numbers of 'spot' readings, useful for characterising printing inks when the press gives different densities across the sheet.

Colortron comes with an excellent manual including a primer on basic color science, written with wit and erudition, up-to-date and accurate. That's almost unheard-of in an industry which mostly uses a standard based on subjective visual assessments by seventeen volunteers recorded in 1928.

Limits on location

Unlike the hand-held Minolta meter, Colortron needs a Mac, ideally with AC power. It works acceptably with 8-bit 256 colors, well with 16-bit 32,000 color screens, but needs 24-bit 16 million colors for its excellent software tools to be of full use.

Does this make it another cumbersome bench tool? Yes, for hundreds of readings in a short time; no, for typical litho printing ink measurement, plastics, fabric dyes, desktop printer calibration and similar jobs involving a few dozen readings at the most.

Its built-in cells recharge overnight from the Mac's keyboard cable (ADB), or in 1-4 hours using a 9V 300mA adaptor. A full charge claims around 350-500 reflected light readings but we found 40-70 more realistic; it's supposed to improve with use. Transmission readings on a lightbox can run into hundreds. Colortron has special control software to prevent it using battery power from a host PowerBook, which will be a common situation when readings in factories or on presses are called for.

In this form as a location kit, the cost is once again going to be around $4,000 - the same as a basic hand-held device - but includes a top of the line color PowerBook with many other uses. Colortron adds to any color desktop Mac system most of the capabilities of a $40,000 benchtop spectrophotometer for only $1,000. College lecturers we have shown it to think its small size and light construction would invite loss or damage, and prefer to keep old bolted-down bench machines while deeply coveting Colortron for personal ownership and use!

Software

Click the words to get JPEG screen clips of relevant windows.

For the creative user, the software is far friendlier than scientific or applied packages. Colortron can measure a sample and tell you the closest Pantone ink or CMYK mix to use. It can build new color libraries, usable in PageMaker, XPress or Photoshop. It can 'tween' to produce a shade between two samples, or suggest a set of harmonising colors based on any one. Try some more harmonies... then more...!

It replaces the standard Apple Color Picker with an advanced version which you can install on any machine, and use in most applications. This picker offers selection by CMYK sliders, a vital feature missing from the earlier Apple version, and HSL, or from a palette of saved readings from samples. Colortron also includes the latest version of Apple's ColorSync and will integrate with color management systems using this in future - which means EfiColor, Agfa FotoFlow, Kodak CMS, Daystar ColorMatch, Tektronix TekColor and many more.

Because it reads spectral data, it can predict visual appearance under different lighting conditions and show this on screen; it can calculate color difference between two samples (below) using standard equations. It is easy to copy CIELab, CIELuv, xyY, XYZ, HSB, or RGB readings to spreadsheets, graphing or word-processing programs. Any three of these values can be displayed and copied simultaneously.

It has gamut warnings, creates CMYK ink sets by manual entry in Photoshop or other applications, and will calibrate imagesetter films, replacing a densitometer. A monitor calibration utility and reading head is being shipped on return of the registration card, so it also replaces devices of this kind.

Could it be better?

Sales to creative agencies, print buyers, photographers and DTP bureaux will conflict with sales to printers and traditional repro houses. Most printers couldn't tell you whether their chosen inks match Eurostandard or SWOP specifications; Colortron can, along with normal densitometer readings. Who will be right - the art director with his Colortron, or the printer with his?

We checked out one printer's performance by printing a set of color patches in a regular magazine run. The inks were way down on density compared to Photoshop's standards, and had significantly different colors.

The system can be used for software-resident press calibration, on a variety of levels from Photoshop ink sets to downloadable imagesetter transfer functions. As it normally costs $7,000 to profile a press for EfiColor or similar matching systems, you can be sure Colortron will be verbally trashed from several directions whose newly-discovered revenue sources are threatened.

However, after a month of use and comparison with ICS, Hunter, Philips, Macbeth and Minolta spectrophotometers, we found the accuracy and consistency of the device to be just as high. Its failings do not lie in precision, accuracy or repeatability.

Here are key criticisms of Colortron:

First of all, non-interchangeable sealed-in nicad cells are not ideal. They charge slowly, have limited capacity, suffer from inertia and memory effects, and end up under-performing if the device is not in constant use. If it is, they fade after 1-2,000 recharges. The 2-4 hour 'quick' charging time is too long to break off between readings. When left charging all the time the device never seems to run out of juice, but a big potential use of Colortron is on PowerBook on location.

Colortron needs user-changeable cells so you can charge one set while using another, or direct 9v adaptor power independent of the battery state. If it had this feature, you could hook it up to a Quantum battery on your belt and use it all day.

Secondly, the reading head supplied is flimsy and hard to position correctly, being opaque and obscuring a clear view of the exact 3mm square involved. We would also like to see a kind of pouch or stand, to protect what is a fairly fragile instrument when left standing on your desk.

Finally, the calibration 'tablet' provided is a rip-off - it may be printed to the standards of the Graphic Communications Association, but a laminated bit of paper costing $75.00 to replace once a year smacks of XPress-style exploitation of customer dependence.

A ceramic white reference tile would cost no more and lasts a lifetime. The black calibration procedure - "simply hold the unit under your desk and point it away from yourself" is sound but a little agricultural. How do they know what's under your desk?

One use we tried out was to create a complete color palette of the full swatch of Colorama photo studio seamless background papers! Here is the complete swatch:

You can save a palette like this for use on PM, Xpress, Illustrator etc - you just import the EPS file, and the colors appear. We have saved this EPS in PHOTON's folder. Try clicking here for a Stuffit file or here for the eps. Maybe you'll be able to save this small file and use it! Our copy of Netscape saves the file inside our Mac's System folder even though it appears to do nothing. The graphic may appear just as a small symbol below, or fail to read, but inside this file are all those color values in CMYK.

We obtained our unit in advance of main UK shipping, by ordering last August from Light Source Computer Images Inc, Larkspur, California; it was delivered on January 4th and had to go back by FedEx a month later for repair after developing a fault, a procedure involving customs re-invoicing and considerable hassle from the British authorities, still unresolved in June 1995. The repair was efficient and very rapid, the documented notes on the fault were courteous and comprehensive, and the unit was back in use within five days in perfect order. However, a local region/country distributor and service department is essential given the obstructive UK bureaucratic procedures for an international repair return.

The new UK importer-distributor is Computers Unlimited; the US price we paid was $999 plus shipping, which worked out at £750 pounds after paying duty and non-recoverable VAT. The UK price is now fixed at be £895 + VAT before discounts, so Colortron has a similar actual cost in Europe to its dollar price.

This feature has a joint byline, by the way, because Shirley is guardian of our Colorton and has the know-how to assess its performance. She's doing a Masters Degree in Color Science and works with bench instruments all the time. Her Colortron readings are all bang in the middle of the variation between several (very expensive) bench systems.